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Lin and Daniel Casey’s screenplay can stretch the action to farcical heights because it offsets the spectacle by drilling into Dom’s character more deeply than the franchise ever has before. This is, by FAR, the biggest, wildest, gravity-defying-iest “Fast and Furious” installment yet, with one scene toward the end guaranteed to make your jaw drop at the gloriously brain-dead chutzpah of it all. ![]() #FAST FURIOUS 9 MOVIE#For all of the cartoonish flair Lin demands, this $200 million tentpole is bound to disappoint anyone hoping for an action movie that can match the skill of “Fast Five” or the unleaded personality of “Tokyo Drift.” That said: Watching Michelle Rodriguez drive over landmines faster than they can explode beneath her motorcycle feels like snorting nitrous straight from the tank after a year of being forced to pretend that movies are even remotely the same at home.īut if “F9” works - and it does, at least by the time the Coronas are popped open - it’s because Lin understands how these movies work best as feature-length dolly zooms that push in on Dom’s vulnerability by widening out to an inhuman scale. #FAST FURIOUS 9 FULL#The first “FaF” without Morgan since 2002, “F9” is a scattered mess full of weightless CGI that whiffs on some crucial moments and doesn’t even get out of neutral until the final hour. Once again, Lin gets the job done not by slamming on the brakes, but rather by speeding things up to such a ridiculous extreme that the velocity starts to hold everything in place. Only this time, he isn’t trying to jump-start a stalled race car so much as regain command of a runaway freight train the size of the Chrysler Building. #FAST FURIOUS 9 SERIES#The series was outta control because it wasn’t in control.Īnd so, with “ F9” Lin returns to the driver’s seat to steer “F&F” back onto solid ground. ![]() Without that foundation, a Corona-drinking Los Angeles gearhead jumping his Dodge Charger over a Russian nuclear submarine suddenly felt kinda inauthentic. The result was an empty shell of a film that betrayed the core of the franchise by suggesting that family maybe wasn’t quite sacred to Dominic Toretto. Gary Gray found themselves in an even more precarious situation two years later, as they reeled from Paul Walker’s death and a pissing contest between Diesel and Dwayne Johnson. Morgan and “Fate of the Furious” director F. When Lin handed over the keys in 2015, however, the “F&F” saga careened toward the brink of madness so fast that James Wan and longtime franchise screenwriter Chris Morgan could only race to build new roads before the whole thing went over the edge - a plan that went so poorly they ended up equipping the cars with parachutes instead. #FAST FURIOUS 9 TV#The Best 30 LGBTQ Movies and TV Shows Streaming on Netflix Right Now 'Luckiest Girl Alive' Review: Mila Kunis Leads Shaky Assault Survivor Story #FAST FURIOUS 9 PLUS#New Movies: Release Calendar for October 7, Plus Where to Watch the Latest Films The dumber things got, the more sincere they became: It was a dolly-zoom effect that rendered the sight of Vin Diesel driving a car out of an exploding military plane at the end of an 18.37-mile-long runway into a heartfelt illustration of a #Family under fire. The stakes got higher and the stunts grew more absurd with every installment, but even as the story foamed into the kind of high-octane soap opera suggested by the series’ title - amnesia, fake deaths, and inexplicable retcons were all in play before Lin bowed out - it always felt as if these meat-headed spectacles recklessly expanded in a way that also allowed them to circle on the characters’ core essence. The first time that the “Fast & Furious” franchise threatened to stall out, Justin Lin drifted into the picture and jump-started it with a simple philosophy that would transform these movies into a global juggernaut: “If you ain’t outta control, you ain’t in control.” Over four films that ranged in quality from generation-defining blockbusters to “Furious 6,” Lin helped a semi-grounded saga about illegal street racers shift gears into a bonafide cinematic universe without losing its soul. ![]()
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